This time, his influences were a bit harder to discern - instead, we recognized some of Galliano's usual go-to elements, like sharp, architectural construction, dramatic volume, and neon colors.
Above: One of the more wearable looks in a collection where "wearable" is generally totally irrelevant. I love that shift-looking top -- it's a little 60's and very cute.
Above: This construction around the hips is incredible, and I love the way it gathers at the knee.
Above: I can't really figure out where this pattern comes from in the context of the entire collection, but I do love the way the colors look on that bright white backdrop.
Above: This is a really incredible dress. This is the kind of thing that belongs in a museum.
Above: Another museum-worth piece. They're saying (they being style.com and j'adore couture) that the collection has traces of Klimt in it, and I can absolutely see it in the gilded trims and geometric detailing, but really I just think it's Galliano doing what he does. The collection may not be the most directional or fashion-forward collection he's ever created, but it's gorgeous.
they certainly are gorgeous! i love the first one and especially the 3rd one- the pattern is so cool!
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